Today mark 24years Fela Anikulapo Kuti died

Today mark 24years Fela Anikulapo Kuti died (Born October,15 1938,Died August 2 1997) | Intercontinental Reports

Kuti's lyrics expressed his inner thoughts. His rise in popularity throughout the 1970s signaled a change in the relation between music as an art form and Nigerian socio-political discourse.[41] In 1984, he critiqued and insulted the authoritarian then-president of the Federal Republic of Nigeria, Muhammadu Buhari.[42] "Beast Of No Nation", one of his most popular songs, refers to Buhari as an "animal in a madman's body"; in Nigerian Pidgin: "No be outside Buhari dey ee / na craze man be dat / animal in craze man skini." Kuti strongly believed in Africa and always preached peace among its people. He thought the most important way for them to fight European cultural imperialism was to support traditional religions and lifestyles in their continent.[2] The American

Black Power movement also influenced Kuti's political views; he supported Pan-Africanism and socialism and called for a united, democratic African republic.[43][44] African leaders he supported during his lifetime include Kwame Nkrumah and Thomas Sankara.[21] Kuti was a candid supporter of human rights, and many of his songs are direct attacks against dictatorships, specifically the militaristic governments of Nigeria in the 1970s and 1980s. He was also a social commentator and criticized fellow Africans (especially the upper class) for betraying traditional African culture.

In 1978 Kuti became a polygamist when he simultaneously married 27 women.[45][46] The highly publicized wedding served many purposes: it marked the one year anniversary of Kuti and his wives surviving the Nigerian government's attack on the Kalakuta Republic in 1977,[47] and also formalized Kuti's relationships with the women living with him; this legal status prevented the Nigerian government from raiding Kuti's compound on the grounds that Kuti had kidnapped the women.[47] Kuti also described polygamy as logical and convenient: "A man goes for many women in the first place. Like in Europe, when a man is married when the wife is sleeping, he goes out and sleeps around. He should bring the women in the house, man, to live with him, and stop running around the streets!"[48] Some characterize his views towards women as misogyny and typically cite songs like "Mattress" as further evidence.[49][50] In a more complex example, he mocks African women's aspiration to European standards of ladyhood while extolling the values of the market woman in "Lady".[50] However, Kuti also critiqued what he considered aberrant displays of African masculinity. In his songs "J.J.D. (Johnny Just Drop)" and "Gentleman," Kuti mocks African men's culturally and politically inappropriate adoption of European standards and declares himself "African man: Original".[47]

Kuti was also an outspoken critic of the United States. At a meeting during his 1981 Amsterdam tour, he "complained about the psychological warfare that American organizations like ITT and the CIA waged against developing nations in terms of language". Because terms such as Third Worldundeveloped, or—even worse—non-aligned countries imply inferiority, Kuti felt they should not be used.[45]

Legacy

Kuti is remembered as an influential icon who voiced his opinions on matters that affected the nation through his music. The Felabration festival at the New Afrika Shrine is held each year to celebrate the life of this music legend and his birthday. Since his death in 1997, there has been a revival of his influence in music and popular culture, culminating in another re-release of his catalog controlled by UMGBroadway and off-Broadway biographically based shows, and new bands, such as Antibalas, who carry the Afrobeat banner to a new generation of listeners.

In 1999, Universal Music France, under Francis Kertekian, remastered the 45 albums that it owned and released them on 26 compact discs. These titles were licensed globally, except in Nigeria and Japan, where other companies owned Kuti's music. In 2005, the American operations of UMG licensed all of its world-music titles to the UK-based label Wrasse Records, which repackaged the same 26 discs for distribution in the United States (where they replaced the titles issues by MCA) and the UK. In 2009, Universal created a new deal for the US and Europe, with Knitting Factory Records and PIAS respectively, which included the release of the Broadway cast recording of the musical Fela! In 2013, FKO Ltd., the entity that owned the rights to all of Kuti's compositions, was acquired by BMG Rights Management.

In 2003, the Black President exhibition debuted at the New Museum for Contemporary Art, New York, and featured concerts, symposia, films, and 39 international artists' works.[51][45][52]

American singer Bilal recorded a remake of Kuti's 1977 song "Sorrow Tears and Blood" for his second album, Love for Sale, featuring a guest rap by Common. Bilal cited Kuti's mix of jazz and folk tastes as an influence on his music.[53]

The 2007 film The Visitor, directed by Thomas McCarthy, depicted a disconnected professor (Richard Jenkins) who wanted to play the djembe; he learns from a young Syrian (Haaz Sleiman) who tells the professor he will never truly understand African music unless he listens to Kuti. The film features clips of Kuti's "Open and Close" and "Je'nwi Temi (Don't Gag Me)".

In 2008, an off-Broadway production of Kuti's life, entitled Fela! that was inspired by the 1982 book Fela, Fela! This Bitch of a Life by Carlos Moore,[54][55] began with a collaborative workshop between the Afrobeat band Antibalas and Tony award-winner Bill T. Jones. The production was a massive success, and sold-out performances during its run and gained critical acclaim. On 22 November 2009, Fela! began a run on Broadway at the Eugene O'Neill Theatre. Jim Lewis helped co-write the script (along with Jones) and obtained producer backing from Jay-Z and Will Smith, among others. On 4 May 2010, Fela! was nominated for 11 Tony Awards, including Best MusicalBest Book of a MusicalBest Direction of a Musical for Bill T. Jones, Best Leading Actor in a Musical for Sahr Ngaujah, and Best Featured Actress in a Musical for Lillias White.[56] In 2011, the London production of Fela! (staged at the Royal National Theatre) was filmed.[45] On 11 June 2012, it was announced that Fela! would return to Broadway for 32 performances.[57]

On 18 August 2009, DJ J.Period released a free mixtape to the general public, entitled The Messengers. It is a collaboration with Somali-born hip-hop artist K'naan paying tribute to Kuti, Bob Marley, and Bob Dylan.

Two months later, Knitting Factory Records began re-releasing the 45 titles controlled by UMG, starting with yet another re-release in the US of the compilation The Best of the Black President, which was completed and released in 2013.[58]

Fela Son of Kuti: The Fall of Kalakuta is a stage play written by Onyekaba Cornel Best in 2010. It has had triumphant acclaim as part of that year's Felabration and returned in 2014 at the National Theatre and Freedom Park in Lagos. The play deals with events in a hideout, a day after the fall of Kalakuta.

The full-length documentary film Finding Fela, directed by Alex Gibney, premiered at the 2014 Sundance Film Festival.


Fela Kuti statue at Ikeja, Lagos

A biographical film by Focus Features, directed by Steve McQueen and written by Biyi Bandele, was rumored to be in production in 2010, with Chiwetel Ejiofor in the lead role.[59] However, by 2014, the proposal was no longer produced under Focus Features, and while he maintained his role as the main writer, McQueen was replaced by Andrew Dosunmu as the director. McQueen told The Hollywood Reporter that the film was "dead".[60]

Kuti's song "Zombie" has appeared in the video game Grand Theft Auto: IV, and he was posthumously nominated to the Rock & Roll Hall of Fame in 2021.[61]

In 2021, Hulu released a six-episode documentary entitled "McCartney 3, 2, 1," in which Paul McCartney is quoted as saying of a visit to see Fela Kuti at the African Shrine, Kuti's club outside of Lagos, in the early 1970s, "The music was so incredible that I wept. Hearing that was one of the greatest music moments of my life."[62]

 


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